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SUMMARY:CRUISING ON A SUNDAY AFTERNOON
DESCRIPTION:EVERY SUNDAY- Automobile Driving Museum’s \n\n\n\n\n\n\n\n\n\n\nCome cruising on a Sunday afternoon at the Automobile Driving Museum. One of the unique features of the museum is that on Sundays\, guests are given a rare opportunity. Sunday Car Rides take place in a piece of history\, as you are whisked around in one of several pristine classic vintage cars from the museum’s collection. \nSundays 10:00 a.m.–3:30 p.m.\nSubject to availability. \nPlease call the museum the Thursday before to get the Ride List! \nSunday Car Rides do not need a reservation. They are first come\, first served. \nPlease call 310-909-0950 ext. 200 to schedule a private tour with rides any other day at a special rate! \n  \n\n\nUpon returning from you Sunday Car Ride to the museum\, visitors can embark on several tours of the facility and its impressive collection of automobilia. \n\nThe Automobile Driving Museum’s mission is to collect\, preserve\, exhibit and ride in historic vehicles. \nWE HAVE CARS. LOTS OF THEM. \n130+\nVintage\, Antique and Muscle Cars \nWe use our collection to present educational opportunities\, new age engineering and cultural evolution of the automobile. \n  \n\n\n\n\n\n\n\n\nThe Automobile Driving Museum is a great place to bring a group of kids for an afternoon of fun and education.\nWe welcome visits from summer camps\, church groups and schools to offer them STEM projects and fun activities. Call ahead and we will arrange to have a docent on hand to give an informative tour of the museum’s car collection. We have an activity room that can host a group of 25-45 kids plus adults with tables for arts and crafts.\n\n\n\n\n\n\n\n\nScavenger Hunt\n \nAsk at the front desk about the scavenger hunt on your next visit to Automobile Driving Museum. Follow the clues to discover hidden surprises and interesting facts throughout the museum. \nKids Area\nVisiting kids will have fun in our kids area playing with cars and tracks\, dress-up and mechanic tent. There are two cars that kids are welcome to play in as well being the perfect set-up for a memorable photograph. \n  \n\n\nJoin us for Hot Wheels Garage\n\nLife-sized Hot Wheels\, Raffle Prizes\, Hot Wheels + Endless Tracks\, Train rides\, Go-Karts and much much more. @10:00 am to 1:00 pm Check flyer below for schedule because dates will vary. \n\n\n\n\n\nAdmission ( Suggested Museum Donations )\n\n\n\nChildren 10 & under get in FREE\nChildren (11-17) $5 \nAdults $15 \nFamily of Four $25 \n  \nHours\nOpen Tuesday-Sunday \n10:00 a.m.–4:00 p.m. \nRide Along: Every Sunday\, 10:00 a.m. – 3:30 p.m. \n  \nFor additional information\, visit the website @ \nhttps://www.automobiledrivingmuseum.org\n\n \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/sunday-car-rides-5/2022-11-12/
LOCATION:Automotive Driving Museum\, 610 LAIRPORT ST\, EL SEGUNDO\, CA\, 90245\, United States
CATEGORIES:-El Segundo,Car Shows,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20221112T120000
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SUMMARY:FOWLER MUSEUM: How Do You See This World?
DESCRIPTION:NOW AND EXTENDED THROUGH NOVEMBER 20- Westwood Village\, UCLA\nThe Fowler Museum at UCLA presents\n‘How Do You See This World?’: The Art Of Almighty God\n \n‘How Do You See This World?’ is a retrospective of paintings by the prolific Ghanaian artist Kwame Akoto (b. 1950). Addressed as “Almighty” by friends and acquaintances\, Akoto is the owner of Almighty God Art Works in the city of Kumasi\, the capital of the Asante kingdom. His studio\, established in 1972\, produced signs for small businesses\, cloth banners for evangelical events\, and tin portraits for grave monuments. As the market for such works shrank\, Akoto turned his attention to another part of his practice\, which he calls “creativity arts”—the focus of the current exhibition. These pictures are produced largely for an international clientele and range in subjects from portraiture to Christian themes to commentaries on the world’s problems. Almighty continued to apply his sign-writing skills in the form of extensive texts added to his paintings and their frames. Nearly every piece in the exhibition combines image and text\, an interplay characteristic of Akan arts of southern Ghana. The universe of themes in Almighty’s repertoire continues to expand as he widens the scope of his commentaries on the human condition. His recognition has also grown: since 1995\, he has been included in at least thirty exhibitions of contemporary African art outside of Ghana: in Italy\, Poland\, Netherlands\, France\, Denmark\, Portugal\, and the U.S. His works are held in museums and private collections worldwide. \n  \n\n\n308 Charles E. Young Dr N\, Los Angeles\, CA 90024 \n\nFREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past\, and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture\, and social action. \nFowler Museum at UCLA provides exciting\, informative\, and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, the Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, and notable arts from Haitian Vodou\, Brazil\, and Suriname. \n\n\n\nARTS OF THE AMERICAS\n\n\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Puebla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\nARTS OF ASIA AND THE PACIFIC\n\n\n \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and the Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India\, and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\nARCHAEOLOGICAL COLLECTIONS\n\n\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\nAdmission is FREE \nMonday – Tuesday: closed\nWednesday – Sunday: 12:00 pm – 5:00 pm \n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-how-do-you-see-this-world/2022-11-12/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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