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DTSTART;TZID=America/Los_Angeles:20221005T120000
DTEND;TZID=America/Los_Angeles:20221005T170000
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SUMMARY:FOWLER MUSEUM AT UCLA
DESCRIPTION:FREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture and social action. \nFowler Museum at UCLA provides exciting\, informative and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns\, and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, notably arts of Haitian Vodou\, Brazil and Suriname. \n\n\n\n\n\n\nARTS OF THE AMERICAS\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Peubla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\n\n\n\nARTS OF ASIA AND THE PACIFIC \n \n  \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\n\n\n\nARCHAEOLOGICAL COLLECTIONS\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandates by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah excavated in the 1950’s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\n\n\n\nAdmission is FREE \nMonday: closed\nTuesday: closed\nWednesday: 12 – 8pm\nThursday: 12 – 5pm\nFriday: 12 – 5pm\nSaturday: 12 – 5pm\nSunday: 12 – 5pm \n\n\n\n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-2-2022-02-02/2022-10-05/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20221005T120000
DTEND;TZID=America/Los_Angeles:20221005T170000
DTSTAMP:20220715T105344Z
CREATED:20170412T235136Z
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SUMMARY:FOWLER MUSEUM AT UCLA- TEMPLATE
DESCRIPTION:NOW THRU NOVEMBER 13TH- Westwood Village\, UCLA\nThe Fowler Museum at UCLA presents \n\n\nParticular Histories: Provenance Research in African Arts\n\n\n\n\nJuly 10–November 13\, 2022 \n\n\n\n\nProvenance research (an investigation of an artwork’s past ownerships) traces the movement of a given object through different cultural\, economic\, and political contexts. Particular Histories presents five provenance case studies drawn from African material dating to the early 20th century that came to the Fowler Museum from the collection of Sir Henry Wellcome (1853–1936). The exhibition highlights recent findings—made through a combination of conservation\, material science\, archival research\, and curatorial methods—that shed light on shifting perceptions of the objects’ value over time and offer some surprising revelations: from fictions concocted to assert certain works’ “authenticity” to new understanding of how some artists developed innovative designs tailored to local and foreign buyers. \nThis exhibition emerges from a three-year project\, funded by the Mellon Foundation\, which aims to unravel the histories of African works at the Fowler and begin reckoning with the legacy of European colonization and its influence on the objects’ use and perception. Multidisciplinary provenance research also lays the groundwork for building connections with communities of origin. \n\n\n\n\nParticular Histories: Provenance Research in African Arts is organized by the Fowler Museum at UCLA and curated by Carlee S. Forbes\, Mellon Curatorial Fellow. Fowler team members also engaged in this project include: Erica P. Jones\, Marci J. Burton\, Kate Anderson\, Rachel Raynor\, Gassia Armenian\, Isabella Kelly-Ramirez\, Jeanette Saunders\, Christian de Brer\, and Matthew H. Robb. For more on the Fowler’s Mellon African Art Initiative\, please visit our online research page. \nImage caption: Unidentified artist (Dahomey\, Republic of Benin)\, figure group\, before 1931; brass\, wood; Fowler Museum at UCLA\, X65.5793; Gift of the Wellcome Trust \n\n\n \n  \n\n\n308 Charles E. Young Dr N\, Los Angeles\, CA 90024 \n\nFREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture and social action. \nFowler Museum at UCLA provides exciting\, informative and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns\, and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, notably arts of Haitian Vodou\, Brazil and Suriname. \n\n\n\n\n\n\nARTS OF THE AMERICAS\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Peubla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\n\n\n\nARTS OF ASIA AND THE PACIFIC \n \n  \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\n\n\n\nARCHAEOLOGICAL COLLECTIONS\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandates by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah excavated in the 1950’s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\n\n\n\nAdmission is FREE \nMonday: closed\nTuesday: closed\nWednesday: 12 – 8pm\nThursday: 12 – 5pm\nFriday: 12 – 5pm\nSaturday: 12 – 5pm\nSunday: 12 – 5pm \n\n\n\n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-2-2022-01-19-2022-07-16/2022-10-05/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20221005T120000
DTEND;TZID=America/Los_Angeles:20221005T170000
DTSTAMP:20220709T045024Z
CREATED:20220709T025337Z
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SUMMARY:Los Angeles Maritime Museum
DESCRIPTION:WEDNESDAY TO SUNDAY – San Pedro\nDiscover the history of the Port of Los Angeles on land or at sea! Welcome to the Los Angeles Maritime Museum where our hardworking harbor tug ANGELS GATE provides educational tours while our historic museum building houses fascinating exhibits\, a research library\, a ham radio station\, and a gift shop. \nOPEN EVERY WEDNESDAY TO SUNDAY FROM 12:00 pm TO 5:00 pm\nFREE TO CHILDREN AGES 12 AND UNDER\n\n\n\nBerth 84\, Foot of 6th St.\, San Pedro\, CA 90731 \nThe Los Angeles Maritime Museum is housed in the former Municipal Ferry Terminal building\, located on the main channel of the Los Angeles Harbor. It was designed in the Streamline Moderne style by architect Derwood Lydell Irvin of the Los Angeles Harbor Department. It was built in 1941 at Berth 84\, by the Works Project Administration (WPA). \nThe ferry between San Pedro and Terminal Island ceased after the Vincent Thomas Bridge was opened to traffic in 1963. The building was then used for offices of the LA Harbor Department. The San Pedro Municipal Ferry Building is now a Los Angeles Historic-Cultural Monument and is listed on the National Register of Historic Places. \nThe Los Angeles Maritime Museum opened in 1979 as a result of widespread community efforts to save the historic building. It is the largest maritime museum on the West Coast. The museum’s interior renovation was designed by Modernist architect James Pulliam. The museum is operated by the City of Los Angeles Department of Recreation and Parks. \n\nEXHIBITS\nANGELS GATE TUGBOAT\n \nThe tugboat ANGELS GATE arrived at the Museum in 1992\, after almost 50 years of providing general towing services and goodwill tours for the Port of Los Angeles. \nTĀMINARU\n \nIn the early 20th century\, Terminal Island (in the Port of Los Angeles) was home to approximately 3\,000 Japanese-Americans who earned their livelihood from catching and cleaning fish. Residents of this community\, known as “Terminal Islanders” were originally from the Wakayama Prefecture\, Japan\, and retained their language and customs after emigrating to Los Angeles harbor. \nTāminaru is a look back at this lost community. The exhibit is guest curated by author Naomi Hirahara\, organized by Tara Fansler\, and sponsored by the Friends of the Los Angeles Maritime Museum and the Japan Business Association with the assistance of the Terminal Islanders Club. \nPOSEIDON MODEL\n \nThere is a movie star on the second floor! The model of the SS POSEIDON was the original prop in the 1972 classic film “The Poseidon Adventure”. \nFifteen men built the model over a period of three months. POSEIDON is 21 .5 feet long and weighs one ton. The builders relied on the plans of the RMS QUEEN MARY\, now permanently docked as an attraction in Long Beach\, California. \nNAVY HALL\n \nThe Museum building\, built-in 1941\, was originally used as a ferry terminal\, transporting people and automobiles between San Pedro and Terminal Island. The area of the first floor where cars would enter and exit is now used as the Navy Hall. \nANGELS GATE LIGHT\n \nThe Angels Gate Lighthouse (officially known as Los Angeles Harbor Light) has marked the entrance of Los Angeles Harbor through times of war and peace\, and even survived a tidal wave! The tower itself has undergone many changes through the years. The distinctive green flash of the Angels Gate Lighthouse remains a welcoming beacon to professional mariners and recreational boaters alike. \nKIDS EXHIBIT\n \nKids of all ages will discover what’s going on in the harbor today through a series of interactive games and activities in the children’s exhibit. Grab a pair of binoculars and take a close-up look at the nation’s busiest container port! Learn how cranes work\, imagine yourself in a variety of harbor professions\, build your own wharves\, test your knowledge of ships and cargo\, or just settle down and enjoy a nautical story!\nDue to Covid-19-related precautions\, the toys and costumes have been temporarily removed. \nCAUGHT\, CANNED\, AND EATEN\n \nThe Port of Los Angeles (San Pedro) was the fishing capital of the nation for much of the twentieth century. Generations of fishermen sold catches of tuna\, sardines\, mackerel\, and squid to fish markets or canneries on nearby Terminal Island. \nToday\, the fishing fleet is greatly diminished and the canneries have closed\, but the legacy of the fishing and canning industries endures. \nCOMMERCIAL DIVING\n \n  \nThis exhibit is an introduction to just a few of the thousands of jobs performed by commercial divers and fishery divers in the South Bay\, and was the inspiration of the late Torrance R. Parker\, noted commercial diver and author of 20\,000 Jobs Under the Sea. \nSCHOOL TOURS\nThe museum is pleased to offer educational tours throughout the year at no charge. \nThe museum is located on the Main Channel of Los Angeles Harbor. Students will have a front-row opportunity to see the massive container ships in action and learn about international trade\, ship terminology\, sailor’s art\, and the history of the working people who built Los Angeles harbor into the nation’s busiest container port. \nTours are free for grades K-12\, Wednesday –Friday mornings\, and reservations are REQUIRED. The museum is unable to accommodate group tours without a reservation. \nCall the tour hotline at 310-548-2900 and schedule your tour today\, or email info@lamaritimemuseum.org. \nRESEARCH\nThe Los Angeles Maritime Museum Research Library is home to thousands of books\, historic photographs and archival documents waiting for you to discover! \nResearch questions can be directed to info@lamaritimemuseum.org and 310-548-7618 ext. 215. \nPortions of our collection have online finding aids and digital records: \nOnline Archive of California (OAC) \nOnline Digital Collections \n\nSuggested Donation:\nAdults $5\nSeniors (62+) $3\nChildren 12 & under FREE\nHours\nMonday-Tuesday: Closed\nWednesday – Sunday: 12:00pm – 5:00pm \n\nFor additional information\, visit the website @ \nwww.lamaritimemuseum.org\n \n  \nFind more \n \n \n \n \n \n \n  \n 
URL:https://www.free2funla.com/event/los-angeles-maritime-museum-2/2022-10-05/
LOCATION:Los Angeles Maritime Museum\, Berth 84\, Foot of 6th St.\, San Pedro\, CA\, 90731\, United States
CATEGORIES:-San Pedro,Education,Fun 4 Kids,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20221005T120000
DTEND;TZID=America/Los_Angeles:20221005T170000
DTSTAMP:20220717T121043Z
CREATED:20220717T120503Z
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SUMMARY:Institute of Contemporary Art Los Angeles
DESCRIPTION:WEDNESDAY TO SUNDAY – Downtown Los Angeles\nVISIT ICA LA TODAY! The Institute of Contemporary Art\, Los Angeles (ICA LA) is an epicenter of artistic experimentation and incubator of new ideas. ICA LA is committed to making contemporary art relevant and accessible for all. \nOpen Wednesday – Sunday 12:00pm – 5:00pm\nADMISSION IS FREE!\n\n\n\n\n\nLearning & Engagement\n\n\n\n\n\n\n\n\n\n\n\nAt ICA LA\, we seek new ways to bring art into the life of our community\, schools\, families\, and public and private institutions through our Learning & Engagement programs. We view our city as an ever-changing and dynamic landscape with the museum as a responsive tool\, adaptable to its environment\, poised to foresee community needs\, and capable of meeting those needs at the highest level. Learn more about our programs and special projects below. \n\n\n\n\n\n\nPublic Programs\n\n\n\n\n\n\n\n\n\n\n\n\nPublic programs at the Institute of Contemporary Art\, Los Angeles support our mission in sparking the pleasure the discovery and challenging the way we see and experience the world\, ourselves\, and each other. We are dedicated to the exploration\, scholarship\, appreciation\, and deeper understanding of the exhibitions and ideas on view at the ICA LA\, and providing greater access to artists living and working in our community. \nOur public programs introduce new ways of seeing an exhibition and support through contemporary art and take diverse forms—talks\, workshops\, screenings\, and live performances—and are free and open to all. \nYou can also watch and listen to past lectures\, discussions\, and performances in the archive of public programs below. \n\n\n\n\n\n\n\n\n\n\nView Upcoming Public Programs\n\n\n\n\n\n\n\n\n\n\n\n\nSpecial Projects\nSpecial Projects at ICA LA is a series of initiatives that foster collaborative relationships with artists\, community members and groups\, and local small businesses. \nView Special Projects\n  \nDigital Projects\nDigital Projects at ICA LA explores Virtual Reality\, 360° video\, and Augmented Reality to offer additional visitor experience options; develop projects with artists\, and present new forms of engagement and learning for the community. \nView Digital Projects \n\n \n1717 E 7th St\, Los Angeles\, CA 90021 \n \nFounded in 1984 as the Santa Monica Museum of Art (SMMoA) and reestablished in 2017 with a new identity and home in Downtown Los Angeles\, ICA LA builds upon a distinguished history of bold curatorial vision and innovative programming to illuminate the important untold stories and emerging voices in contemporary art and culture. The museum’s 12\,700 square-foot renovated industrial building—designed by wHY Architecture under the leadership of Kulapat Yantrasast—features ample space for exhibitions\, public programs\, retail pop-ups\, integrated offices\, and special projects. \nICA LA’s mission is to support art that sparks the pleasure of discovery and challenges the way we see and experience the world\, ourselves\, and each other. ICA LA is committed to upending hierarchies of race\, class\, gender\, and culture. Through exhibitions\, education programs\, and community partnerships\, ICA LA fosters critique of the familiar and empathy with the different. \n \nHours\nMonday – Tuesday: Closed\nWednesday – Sunday: 12:00pm – 5:00pm \n\nFor additional information\, visit the website @ \nwww.theicala.org/en\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/institute-of-contemporary-art-los-angeles-2/2022-10-05/
LOCATION:Institute of Contemporary Art Los Angeles\, 1717 E 7th St\,\, Los Angeles\, CA\, 90021\, United States
CATEGORIES:-DTLA,Arts & Crafts,Education,Fun 4 Couples,Fun 4 Singles,Fun 4 Teens,Museums
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