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SUMMARY:PLAY @ ESMoA
DESCRIPTION:SATURDAY – El Segundo\nHave your kids get a start-up at art! PLAY @ ESMoA\, our early childhood program designed for 3-5 year olds and their favorite adult companion. Join us once a month and explore Experience 51: TIME with artist and teacher Natalie Strong. PLAY @ ESMoA will introduce the youngest visitor to art through age-appropriate short stories\, gallery play activities\, and an art activity. \nClass size is limited to 10 children. Siblings of all ages welcome! Reserve your spot by sending and email to rsvp@artlab21.org with PLAY in the subject line. \n\n \n208 Main Street\, El Segundo\, California 90245 \n \nESMoA is an art laboratory located in El Segundo\, California and it is run by artlab21 Foundation\, a public non profit organization funded 100% by donations. \nOur mission is to Spread the Spark of Creativity with a focus on experimental exhibitions\, community engagement\, and arts education. ESMoA functions as a catalyst for creative thinking and recalibrates rules of understanding\, knowing\, and doing through the arts. \n \nREOPENING INFORMATION\nESMoA is pleased to announce that following the updated guidelines of June 15\, we have reopened at full capacity and ticket reservations are no longer needed. Drop by during our open hours! \nESMoA is committed to maintaining a safe environment for all visitors\, therefore the following safety guidelines are still in effect when visiting ESMoA: \n\nStay home if you feel sick or you have been in contact with someone who has COVID-19 or COVID-19 symptoms in the last 10 days.\nTo protect vulnerable community members\, please wear a mask during your visit.\nPublic programs will remain online. Some hybrid options will be announced for specific programs. Please check our Calendar section for more information.\n\nAdmission to ESMoA is FREE.\nTOURS\nDuring open hours an Educator will be available to discuss the artworks and answer questions you may have. Schools and groups of 10 people or more can book private tours upon appointment. \nGENERAL INFORMATION\nCameras. Still photography is permitted in ESMoA for private\, non-commercial use. The use of flash photography and/or tripods is prohibited at all times. For inquiries related to press or commercial filming/ photography opportunities at ESMoA\, please contact esmoa@artlab21.org \nPhotography/Video Policy. As a visitor to ESMoA\, you hereby grant to ESMoA the irrevocable and unrestricted right to use and publish photographs or video of you for ESMoA publications\, electronic reproductions (websites\, social media) and/or promotional materials or any other purpose and in any manner or medium. In addition\, you grant permission to alter the same without restriction: and to copyright the same.\nYou further acknowledge that by entering the property of ESMoA that your participation is voluntary and you will not receive financial compensation of any type associated with the taking or publication of photographs and or videos or participation in company marketing materials or other publications. You acknowledge and agree that publication of said photos and or videos confers no rights of ownership or royalties whatsoever.\nYou hereby release ESMoA\, its contractors\, its employees\, and any third parties involved in the creation or publication of marketing materials\, from liability for any claims by you or any third party in connection with your participation. \nFood and drinks. Food and drink are not allowed in ESMoA. \nPets. Pets are not allowed\, only animals defined by the ADA as Service Animals are allowed into ESMoA. \nSketching. Sketching is permitted in the ESMoA gallery. You may write down notes or sketch in the gallery\, using dry media approved by ESMoA staff. Please refrain from leaning against walls or glass cases while sketching. \nHours\nMonday – Wednesday – Sunday: Closed\nThursday: 12:00pm – 5:00pm\nFriday – Saturday: 10:00am – 5:00pm \nFor additional information\, visit the website @ \nhttps://esmoa.org/events/\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/play-esmoa/
LOCATION:ESMOA\, 208 Main Street\, El Segundo\, CA\, 90245\, United States
CATEGORIES:-El Segundo,Arts & Crafts,Fun 4 Kids,Fun 4 Teens,Fun 4 the Family,Museums,Spaces & Places
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DTEND;TZID=America/Los_Angeles:20220820T170000
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SUMMARY:Experience 51: TIME @ ESMOA
DESCRIPTION:NOW EXHIBITING – El Segundo Museum of Art\nExperience 51: TIME\, a project by artist and production designer Rick Carter\, is an immersive collage that contemplates the concept of time. The exhibition features paintings\, drawings\, and collages by Carter along with photographs\, movie memorabilia\, and additional works by eight other artists who were invited to participate. \nTIME envelops visitors in floor-to-ceiling layered imagery that extends 25 feet high and includes portraits by Carter hung from above on thirteen\, four-sided displays; ​​preliminary sketches and collages from his many production designs; and props and memorabilia including a park bench from which Forrest Gump narrated his life story. \nON DISPLAY UNTIL March 25\, 2023\n \nCarter\, a longtime painter\, is a two-time Academy Award®-winning production designer acclaimed for his work with directors including Steven Spielberg\, Robert Zemeckis\, James Cameron\, and J.J. Abrams. Often he has envisioned designs that convey notions of time itself\, including for the blockbuster films A.I. Artificial Intelligence\, Amistad\, Avatar\, Back to the Future\, Forrest Gump\, Jurassic Park\, Lincoln\, and Star Wars. \n \nFeatured as well in our TIME exhibition are pieces inspired by our visit to the Getty Research Institute with David Brafman. As curator of rare books for The Getty\, David was able to show our TIME artist collective books that express aspects of time—whether through their content or format. \n \n\n \n208 Main Street\, El Segundo\, California 90245 \n \nESMoA is an art laboratory located in El Segundo\, California and it is run by artlab21 Foundation\, a public non profit organization funded 100% by donations. \nOur mission is to Spread the Spark of Creativity with a focus on experimental exhibitions\, community engagement\, and arts education. ESMoA functions as a catalyst for creative thinking and recalibrates rules of understanding\, knowing\, and doing through the arts. \n \nREOPENING INFORMATION\nESMoA is pleased to announce that following the updated guidelines of June 15\, we have reopened at full capacity and ticket reservations are no longer needed. Drop by during our open hours! \nESMoA is committed to maintaining a safe environment for all visitors\, therefore the following safety guidelines are still in effect when visiting ESMoA: \n\nStay home if you feel sick or you have been in contact with someone who has COVID-19 or COVID-19 symptoms in the last 10 days.\nTo protect vulnerable community members\, please wear a mask during your visit.\nPublic programs will remain online. Some hybrid options will be announced for specific programs. Please check our Calendar section for more information.\n\nAdmission to ESMoA is FREE.\nTOURS\nDuring open hours an Educator will be available to discuss the artworks and answer questions you may have. Schools and groups of 10 people or more can book private tours upon appointment. \nGENERAL INFORMATION\nCameras. Still photography is permitted in ESMoA for private\, non-commercial use. The use of flash photography and/or tripods is prohibited at all times. For inquiries related to press or commercial filming/ photography opportunities at ESMoA\, please contact esmoa@artlab21.org \nPhotography/Video Policy. As a visitor to ESMoA\, you hereby grant to ESMoA the irrevocable and unrestricted right to use and publish photographs or video of you for ESMoA publications\, electronic reproductions (websites\, social media) and/or promotional materials or any other purpose and in any manner or medium. In addition\, you grant permission to alter the same without restriction: and to copyright the same.\nYou further acknowledge that by entering the property of ESMoA that your participation is voluntary and you will not receive financial compensation of any type associated with the taking or publication of photographs and or videos or participation in company marketing materials or other publications. You acknowledge and agree that publication of said photos and or videos confers no rights of ownership or royalties whatsoever.\nYou hereby release ESMoA\, its contractors\, its employees\, and any third parties involved in the creation or publication of marketing materials\, from liability for any claims by you or any third party in connection with your participation. \nFood and drinks. Food and drink are not allowed in ESMoA. \nPets. Pets are not allowed\, only animals defined by the ADA as Service Animals are allowed into ESMoA. \nSketching. Sketching is permitted in the ESMoA gallery. You may write down notes or sketch in the gallery\, using dry media approved by ESMoA staff. Please refrain from leaning against walls or glass cases while sketching. \nHours\nSunday – Wednesday – : Closed\nThursday: 12:00am – 5:00pm\nFriday – Saturday: 10:00am – 5:00pm \n\nFor additional information\, visit the website @ \nesmoa.org/experience/time\n \n  \nFind more
URL:https://www.free2funla.com/event/experience-51-time-esmoa/2022-08-20/
LOCATION:ESMOA\, 208 Main Street\, El Segundo\, CA\, 90245\, United States
CATEGORIES:-El Segundo,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220820T110000
DTEND;TZID=America/Los_Angeles:20220820T170000
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SUMMARY:The Broad Museum
DESCRIPTION:FREE TUE – SUN- Bunker Hill\, DTLA\n\n\n\n\nThe Broad Museum presents An in-depth installation of Andy Warhol\, opening May 26\, 2021\, features 26 works (11 on view for the first time at The Broad)\, including Mao (1973)\, 40 Gold Marilyns (1980)\, and a major new acquisition\, Liz [Early Colored Liz] (1963). \nLiz [Early Colored Liz] is a celebrated work featuring a silkscreened image of Elizabeth Taylor\, who represented both celebrity and beauty as well as tragedy for the artist. \nAn outcome of sustained and ongoing engagement with artists and artwork\, the Broad collection is distinctive in its exceptional dedication to the full arc of artists’ careers. The Broad has highlighted this depth through expansive presentations in the third floor galleries\, featuring Jean-Michel Basquiat\, Roy Lichtenstein\, Kara Walker\, Andy Warhol\, and Christopher Wool\, along with works by many others. \n\n\n\n\n\n\n\n\n\n\n\n\nHighlighted Artwork\n\n\n\n\n\n\n\n\n40 Gold Marilyns\n\nAndy Warhol\n\n\n1980\n\n\nsilkscreen ink and synthetic polymer paint on canvas\n\n\n80 x 111 in. (203.2 x 281.94 cm)\n\n\n\n\n\n\nMao\n\nAndy Warhol\n\n\n1973\n\n\nacrylic\, clear acrylic medium\, and silkscreen ink on linen\n\n\n26 x 22 in. (66.04 x 55.88 cm)\n\n\n\n\n\n\nThe Kiss (Bela Lugosi)\n\nAndy Warhol\n\n\n1963\n\n\nscreenprint on paper\n\n\n30 x 40 in. (76.2 x 101.6 cm)\n\n\n\n\n\n\nCampbell’s Soup Can (Clam Chowder – Manhattan Style) [Ferus Type]\n\nAndy Warhol\n\n\n1962\n\n\ncasein and pencil on linen\n\n\n20 x 16 in. (50.8 x 40.6 cm)\n\n\n\n\n\n\n\n\n\n\n\n\n\n221 S. Grand Avenue\, Los Angeles\, CA 90012\nThe Broad makes its collection of contemporary art from the 1950s to the present accessible to the widest possible audience by presenting exhibitions and operating a lending program to art museums and galleries worldwide. \nBy actively building a dynamic collection that features in-depth representations of influential contemporary artists and by advancing education and engagement through exhibitions and diverse public programming\, the museum enriches\, provokes\, inspires\, and fosters appreciation of art of our time. \n \nThe Broad was founded by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles. Designed by Diller Scofidio + Renfro in collaboration with Gensler\, the museum offers free general admission and presents an active program of rotating temporary exhibitions and innovative audience engagement. The Broad is home to 2\,000 works of art in the Broad collection\, which is one of the world’s leading collections of postwar and contemporary art. \n  \n \nThe Broad from Home\nThe Broad is committed to inspiring and fostering an appreciation of contemporary art through our digital initiatives. Experience #TheBroadFromHome to find inspiration through music\, poetry\, performance\, workshops\, and conversations centered around the Broad collection. \nOverview \nPerformances \nTalks & Conversations \nArtist Spotlight \nFamily Art Workshops \nMore Online Programs \n  \nThe Broad Collection\nEli and Edythe Broad have been building their collection of postwar and contemporary art over the last 50 years. With a belief that the greatest art collections are built when the art is being made\, the Broads took to collecting art of their own time. \nThe Broad is home to 2\,000 works in the Broad collection by more than 200 artists\, and is one of the world’s leading collections of postwar and contemporary art. The collection features in-depth holdings of influential contemporary artists such as Jean-Michel Basquiat\, Mark Bradford\, Jasper Johns\, Jeff Koons\, Barbara Kruger\, Yayoi Kusama\, Kerry James Marshall\, Julie Mehretu\, Takashi Murakami\, Robert Rauschenberg\, Ed Ruscha\, Cindy Sherman\, Cy Twombly\, Andy Warhol\, and more\, plus an ever-growing representation of younger artists. \n  \nView Our Collection Here\n \nIn Under the Table\, 1994\, the viewer is both in the world of imaginary giants and in the world of remembered childhood. Fusing Alice in Wonderland with the Duchampian tradition of the readymade\, Artist Robert Therrien constructs a doppelganger from an everyday object\, both displaying his visual wit and actualizing literary or imaginative fantasy in three-dimensional space. The table exudes an extraordinary aura\, compelling one to walk underneath the table and conjuring the physical memory of being under the table of one’s childhood home. Complicated and powerful\, the work offers fresh ideas of what a table\, sculpture\, and memory can mean. \n  \n  \n \nUsing the recognizable form of a balloon twisted into the shape of a dog\, Koons has frozen a moment in time\, exaggerating both scale and material. \nBalloon Dog (Blue) is literal and abstract. When standing close to it\, one’s own distorted reflection bends around smooth pert curves. \n  \n\n\n\n\n\nGeneral Admission is Free\nAll visitors must reserve timed tickets in advance. Some exhibitions and events carry a separate charge. \n\n\n\n\n\nHours\nMonday: Closed\nTuesday – Wednesday: 11:00 a.m.-5:00 p.m.\nThursday – Friday: 11:00 a.m.-8:00 p.m.\nSaturday: 10:00 a.m.-8:00p.m.\nSunday: 10:00 a.m.-6:00p.m. \n\n\n  \nFor additional information\, visit the website @ \nwww.thebroad.org\n \n  \nFind more
URL:https://www.free2funla.com/event/the-broad-andy-warhol/2022-08-20/
LOCATION:The Broad\, 221 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220820T120000
DTEND;TZID=America/Los_Angeles:20220820T170000
DTSTAMP:20220722T085842Z
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LAST-MODIFIED:20220722T085842Z
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SUMMARY:FOWLER MUSEUM: How Do You See This World?
DESCRIPTION:NOW AND EXTENDED THROUGH NOVEMBER 20- Westwood Village\, UCLA\nThe Fowler Museum at UCLA presents\n‘How Do You See This World?’: The Art Of Almighty God\n \n‘How Do You See This World?’ is a retrospective of paintings by the prolific Ghanaian artist Kwame Akoto (b. 1950). Addressed as “Almighty” by friends and acquaintances\, Akoto is the owner of Almighty God Art Works in the city of Kumasi\, the capital of the Asante kingdom. His studio\, established in 1972\, produced signs for small businesses\, cloth banners for evangelical events\, and tin portraits for grave monuments. As the market for such works shrank\, Akoto turned his attention to another part of his practice\, which he calls “creativity arts”—the focus of the current exhibition. These pictures are produced largely for an international clientele and range in subjects from portraiture to Christian themes to commentaries on the world’s problems. Almighty continued to apply his sign-writing skills in the form of extensive texts added to his paintings and their frames. Nearly every piece in the exhibition combines image and text\, an interplay characteristic of Akan arts of southern Ghana. The universe of themes in Almighty’s repertoire continues to expand as he widens the scope of his commentaries on the human condition. His recognition has also grown: since 1995\, he has been included in at least thirty exhibitions of contemporary African art outside of Ghana: in Italy\, Poland\, Netherlands\, France\, Denmark\, Portugal\, and the U.S. His works are held in museums and private collections worldwide. \n  \n\n\n308 Charles E. Young Dr N\, Los Angeles\, CA 90024 \n\nFREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past\, and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture\, and social action. \nFowler Museum at UCLA provides exciting\, informative\, and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, the Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, and notable arts from Haitian Vodou\, Brazil\, and Suriname. \n\n\n\nARTS OF THE AMERICAS\n\n\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Puebla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\nARTS OF ASIA AND THE PACIFIC\n\n\n \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and the Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India\, and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\nARCHAEOLOGICAL COLLECTIONS\n\n\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\nAdmission is FREE \nMonday – Tuesday: closed\nWednesday – Sunday: 12:00 pm – 5:00 pm \n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-how-do-you-see-this-world/2022-08-20/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220820T160000
DTEND;TZID=America/Los_Angeles:20220820T180000
DTSTAMP:20220710T210259Z
CREATED:20170411T003347Z
LAST-MODIFIED:20220710T210259Z
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SUMMARY:Getty Concerts For Kids
DESCRIPTION:TODAY- The Getty Center’s Central Garden\nGarden Concerts for Kids is a free outdoor music series for kids and their families in the Getty Center’s Central Garden featuring some of the best children’s musical artists from across the nation. \nPlease feel free to bring a picnic blanket\, but lawn chairs are not allowed. \nTODAYS SCHEDULE PERFORMANCE: Jazzy Ash & Red Yarn\n\nDate: Saturday & Sunday\, August 20 & 21\, 2022\nTime: 4:00 p.m.\nLocation: Central Garden\nAdmission: Free; general admission tickets available starting August 6. \nAcclaimed family jazz performer Jazzy Ash and folksinger and puppeteer Red Yarn team up to celebrate the release of their lively new EP\, Sing Together. United by an appreciation of traditional American music\, Jazzy Ash and Red Yarn stir their styles into a unique musical gumbo. Their new collaborative songs blend jazz\, folk\, soul\, country and early rock’n’roll into a playful\, varied sound. In performance\, they also back each other up singing hits from their respective repertoires. Their friendship and the fun they have singing together are infectious – audiences will be singing and dancing right along! \nJazzy Ash\, aka Ashli St. Armant\, is a celebrated vocalist\, writer\, arts educator\, and founder of Leaping Lizards Music\, a music and theater education program for students\, preschool through twelfth grade. She tours the United States with her band\, Jazzy Ash and the Leaping Lizards\, performing jazz for young audiences. Together they have performed at numerous venues including Lincoln Center and Sprout Network (NBC)\, produced six albums\, and have been featured by NPR and LA Times. \nRed Yarn\, aka Andy Furgeson\, is a Texas-born\, Oregon-based family performer who weaves folksongs and puppetry into high-energy shows for all ages. With his engaging performances\, lush folk-rock recordings\, and playful music videos\, this red-bearded bard reinvigorates American folklore for younger generations. Red Yarn has performed at festivals and venues across the country\, and has been voted “Portland’s Best Kindie Performer” by PDX Parent Picks for five years straight. \n\n1200 Getty Center Drive\, Los Angeles\, CA 90049 \n  \nThe Getty Museum\, located on the west side of the Sepulveda Pass\, is one of the most visually stunning locations in Los Angeles. The Getty is an architectural master piece\, over looking a garden like no other\, featuring some of the best views of the Los Angeles basin.  The J. Paul Getty Trust is a cultural and philanthropic institution dedicated to the presentation\, conservation\, and interpretation of the world’s artistic legacy. \n\n\nOne of the most visually stunning locations in the Los Angeles\n\nThe J. Paul Getty Museum seeks to inspire curiosity about\, and enjoyment and understanding of\, the visual arts by collecting\, conserving\, exhibiting and interpreting works of art of outstanding quality and historical importance. To fulfill this mission\, the Museum continues to build its collections through purchase and gifts\, and develops programs of exhibitions\, publications\, scholarly research\, public education\, and the performing arts that engage our diverse local and international audiences. All of these activities are enhanced by the uniquely evocative architectural and garden settings provided by the Museum’s two renowned venues: the Getty Villa and the Getty Center. \n \n \nThe J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings\, drawings\, sculpture\, illuminated manuscripts\, decorative arts\, and photography from its beginnings to the present\, gathered internationally. \nSee all current exhibitions and installations here \n  \n \n \n\n\n \n\nHours\nMonday: Closed\nTuesday – Thursday: 10:00 a.m.-5:30 p.m.\nSunday: 10:00 a.m.-7:00p.m. \n\n For additional information\, visit the website @ \nhttp://www.getty.edu/\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/getty-concerts_for-kids-2022-08-20-2/
LOCATION:The Getty Center\, 1200 Getty Center Drive\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Gardens,Museums
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SUMMARY:Hammer Museum Free Screening: Islands / You and the Night
DESCRIPTION:TONIGHT- The Hammer Museum\nThe Hammer Museum and the UCLA Film & Television Archive present a free screening of \n\nIslands / You and the Night\nSAT AUG 20\, 7:30 PM\n\n\n\n\n\n\nPart of the UCLA Film & Television Archive series Outfest UCLA Legacy Project. Register at cinema.ucla.edu to attend this in-theater screening. \n\n\n\n\n\nISLANDS\n\nLes îles\, France\, 2017 \nWinner of the Queer Palm for Best Short Film at the 2017 edition of the Cannes Film Festival\, Islands sees characters wandering through an erotic maze of love and desire. \nDCP\, color\, in French with English subtitles\, 23 min. Director/Screenwriter: Yann Gonzalez. Cinematographer: Simon Beaufils. Editor: Raphaël Lefèvre. With: Sarah-Megan Allouch\, Mathilde Mennetrier\, Alphonse Maîtrepierre\, Romain Merle. Courtesy of Altered Innocence. \n\n\n\n\n\nYOU AND THE NIGHT\n\nLes rencontres d’après minuit\, France\, 2013 \nIn his first feature-length film after a substantial effort in short-form filmmaking\, Nice-born writer-director Yann Gonzalez riffs on character tropes à la The Breakfast Club with a sexy and markedly queer twist\, underscored by the synthpop music of M83\, Yann’s brother Anthony’s band. A longtime couple and their trans maid assemble a motley crew\, including The Slut\, The Teen\, The Stud and The Star\, for another of the trio’s frequent orgies. To everyone’s initial chagrin and eventual shared catharsis\, a theater of the pansexual absurd\, fueled by a collective hallucination\, unfolds as a dreamlike tableaux of memories instead of the suck-and-f*ck they all showed up for. A tribute to the power of chosen families and the possibilities offered by pure cinematic imagination. \nDCP\, color\, in French with English subtitles\, 92 min. Director/Screenwriter: Yann Gonzalez. Cinematographer: Simon Beaufils. Editor: Raphaël Lefèvre. With: Kate Moran\, Niels Schneider\, Nicolas Maury\, Eric Cantona\, Fabienne Babe. Courtesy of Strand Releasing. \n\n\n\n\n\n\n\n\n\nATTENDING THIS PROGRAM?\nTicketing: Admission to Archive screenings at the Hammer is free. Registration is required via the Film & Television Archive website\, and tickets must be picked up at the box office. Hammer members receive priority ticketing until 15 minutes before showtime. Please review the Archive’s ticketing policy and COVID-19 admission policy. Questions should be directed to the Archive at programming@cinema.ucla.edu or 310-206-8013.\nParking: Parking is available under the museum. Rates are $7 for the first three hours with museum validation\, and $3 for each additional 20 minutes\, with a $20 daily maximum. There is a $7 flat rate after 6 p.m. on weekdays\, and all day on weekends. \n\n\n\n\n\n\n\n\n\n\n\n\n\n10899 Wilshire Blvd\, Los Angeles\, CA 90024\n\n\nThe Billy Wilder Theater\, home of UCLA Film & Television Archive’s public programs\, is among a handful of venues nationwide able to exhibit an entire century’s worth of moving images in their original formats. From the earliest silent films requiring variable speed projection all the way up to cutting-edge digital cinema\, the Wilder can accommodate an array of screen technologies. \n \nThe theater’s modern design by Michael Maltzan Architecture stylishly interprets cinema’s play of light and movement in real space\, and the 285-seat interior features comfortable leather seats with superb sightlines. The theater is made possible by a generous gift from Audrey L. Wilder and named in honor of Mrs. Wilder’s late husband\, the legendary screenwriter\, director and producer. Born on the outskirts of the Austro-Hungarian empire\, Billy Wilder fled Nazi Germany in the 1930s to become a master of Hollywood film language and a shrewd comic observer of the American scene. Among the many classics Wilder co-wrote and directed were Double Indemnity (1944)\, Sunset Boulevard (1950) and Some Like It Hot (1959). \n\nPlease note that food is not permitted inside the theater. There are dining options in the surrounding Westwood Village. You may also opt to bring your own food and eat in the courtyard just outside the theater. \n \n\nThe Hammer Museum champions the art and artists who challenge us to see the world in a new light\, to experience the unexpected\, to ignite our imaginations\, and inspire change. \nThe Hammer understands that art not only has the power to transport us through aesthetic experience but can also provide significant insight into some of the most pressing cultural\, political\, and social questions of our time. We share the unique and invaluable perspectives that artists have on the world around us. \nA vibrant intellectual and creative nexus\, the Hammer is fueled by dynamic exhibitions and programs—including lectures\, symposia\, film series\, readings\, and musical performances—that spark meaningful encounters with art and ideas. \nAnd through our unwavering commitment to free admission and free public programs\, the Hammer Museum is open for all and FREE FOR GOOD.\n  \nHours\nMonday: Closed\nTuesday – Sunday: 11:00am – 6:00pm \n\nFor additional information\, visit the website @ \nhttps://www.cinema.ucla.edu/calendar\n \n  \nFind more \n \n \n \n \n \n \n  \n\n\n\n\n\n\n 
URL:https://www.free2funla.com/event/hammer-museum-free-screenings-islands-you-and-the-night-2/
LOCATION:Hammer Museum\, 10899 Wilshire Boulevard\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Fun 4 Couples,Fun 4 Seniors,Fun 4 Singles,Movies,Museums
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SUMMARY:Hammer Museum Free Screening: Islands / You and the Night
DESCRIPTION:TONIGHT- The Hammer Museum\nThe Hammer Museum and the UCLA Film & Television Archive present a free screening of \n\nIslands / You and the Night\nSAT AUG 20\, 7:30 PM\n\n\n\n\n\n\nPart of the UCLA Film & Television Archive series Outfest UCLA Legacy Project. Register at cinema.ucla.edu to attend this in-theater screening. \n\n\n\n\n\nISLANDS\n\nLes îles\, France\, 2017 \nWinner of the Queer Palm for Best Short Film at the 2017 edition of the Cannes Film Festival\, Islands sees characters wandering through an erotic maze of love and desire. \nDCP\, color\, in French with English subtitles\, 23 min. Director/Screenwriter: Yann Gonzalez. Cinematographer: Simon Beaufils. Editor: Raphaël Lefèvre. With: Sarah-Megan Allouch\, Mathilde Mennetrier\, Alphonse Maîtrepierre\, Romain Merle. Courtesy of Altered Innocence. \n  \n\n\n\n\n\nYOU AND THE NIGHT\n\nLes rencontres d’après minuit\, France\, 2013 \nIn his first feature-length film after a substantial effort in short-form filmmaking\, Nice-born writer-director Yann Gonzalez riffs on character tropes à la The Breakfast Club with a sexy and markedly queer twist\, underscored by the synthpop music of M83\, Yann’s brother Anthony’s band. A longtime couple and their trans maid assemble a motley crew\, including The Slut\, The Teen\, The Stud and The Star\, for another of the trio’s frequent orgies. To everyone’s initial chagrin and eventual shared catharsis\, a theater of the pansexual absurd\, fueled by a collective hallucination\, unfolds as a dreamlike tableaux of memories instead of the suck-and-f*ck they all showed up for. A tribute to the power of chosen families and the possibilities offered by pure cinematic imagination. \nDCP\, color\, in French with English subtitles\, 92 min. Director/Screenwriter: Yann Gonzalez. Cinematographer: Simon Beaufils. Editor: Raphaël Lefèvre. With: Kate Moran\, Niels Schneider\, Nicolas Maury\, Eric Cantona\, Fabienne Babe. Courtesy of Strand Releasing. \n\n\n\n\n\n\n\n\n\nATTENDING THIS PROGRAM?\nTicketing: Admission to Archive screenings at the Hammer is free. Registration is required via the Film & Television Archive website\, and tickets must be picked up at the box office. Hammer members receive priority ticketing until 15 minutes before showtime. Please review the Archive’s ticketing policy and COVID-19 admission policy. Questions should be directed to the Archive at programming@cinema.ucla.edu or 310-206-8013.\nParking: Parking is available under the museum. Rates are $7 for the first three hours with museum validation\, and $3 for each additional 20 minutes\, with a $20 daily maximum. There is a $7 flat rate after 6 p.m. on weekdays\, and all day on weekends. \n\n\n\n\n\n\n  \n  \n  \n  \n\n\n\n\n\n\n\n10899 Wilshire Blvd\, Los Angeles\, CA 90024\n\n\nThe Billy Wilder Theater\, home of UCLA Film & Television Archive’s public programs\, is among a handful of venues nationwide able to exhibit an entire century’s worth of moving images in their original formats. From the earliest silent films requiring variable speed projection all the way up to cutting-edge digital cinema\, the Wilder can accommodate an array of screen technologies. \n \nThe theater’s modern design by Michael Maltzan Architecture stylishly interprets cinema’s play of light and movement in real space\, and the 285-seat interior features comfortable leather seats with superb sightlines. The theater is made possible by a generous gift from Audrey L. Wilder and named in honor of Mrs. Wilder’s late husband\, the legendary screenwriter\, director and producer. Born on the outskirts of the Austro-Hungarian empire\, Billy Wilder fled Nazi Germany in the 1930s to become a master of Hollywood film language and a shrewd comic observer of the American scene. Among the many classics Wilder co-wrote and directed were Double Indemnity (1944)\, Sunset Boulevard (1950) and Some Like It Hot (1959). \n\nPlease note that food is not permitted inside the theater. There are dining options in the surrounding Westwood Village. You may also opt to bring your own food and eat in the courtyard just outside the theater. \n \n\nThe Hammer Museum champions the art and artists who challenge us to see the world in a new light\, to experience the unexpected\, to ignite our imaginations\, and inspire change. \nThe Hammer understands that art not only has the power to transport us through aesthetic experience but can also provide significant insight into some of the most pressing cultural\, political\, and social questions of our time. We share the unique and invaluable perspectives that artists have on the world around us. \nA vibrant intellectual and creative nexus\, the Hammer is fueled by dynamic exhibitions and programs—including lectures\, symposia\, film series\, readings\, and musical performances—that spark meaningful encounters with art and ideas. \nAnd through our unwavering commitment to free admission and free public programs\, the Hammer Museum is open for all and FREE FOR GOOD.\n  \nHours\nMonday: Closed\nTuesday – Sunday: 11:00am – 6:00pm \n\nFor additional information\, visit the website @ \nhttps://www.cinema.ucla.edu/calendar\n \n  \nFind more \n \n \n \n \n \n \n  \n\n\n\n\n\n\n 
URL:https://www.free2funla.com/event/hammer-museum-free-screenings-islands-you-and-the-night/
LOCATION:Hammer Museum\, 10899 Wilshire Boulevard\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Fun 4 Couples,Fun 4 Seniors,Fun 4 Singles,Movies,Museums
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