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DTSTART;TZID=America/Los_Angeles:20220723T100000
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SUMMARY:Wende Museum
DESCRIPTION:FRIDAY TO SUNDAY – Culver City\nThe Wende Museum is an art museum\, historical archive of the Cold War\, and center for creative community engagement that explores and inspires change. The Wende Museum is open Fridays\, Saturdays\, and Sundays from 10:00 am – 5:00 pm. Admission is free\, and no reservations are required. \nADMISSION IS FREE\, NO RESERVATIONS ARE REQUIRED.\nPublic Tours \nThe Wende Museum offers free\, guided tours of the museum and exhibitions on Saturdays and Sundays at 1 p.m. \nPrivate Tours \nPrivate\, docent-led tours of the Wende Museum are available upon request. Contact tours@wendemuseum.org for more information. \nThe Wende Museum remains committed to protecting the health and safety of our visitors and staff. \nPer the mandate of the Los Angeles County Department of Public Health on March 4\, 2022\, the Wende Museum strongly encourages visitors to wear masks while visiting the indoor galleries regardless of vaccination status. While proof of vaccination is not required for general visitation and outdoors programs\, it is required for individuals attending indoor events. \n\nVisitors are asked to maintain a physical distance of six feet from staff and other visitors.\nPlease do not visit if you have symptoms of COVID-19\, including fever\, cough\, shortness of breath\, sore throat\, loss of taste or smell\, chills\, head or muscle aches\, nausea\, diarrhea\, or vomiting. Anyone exhibiting signs of illness will not be permitted entry.\nPlease do not visit if you have had a positive COVID-19 test within the past two weeks\, or if you have been advised to self-quarantine by a medical professional.\nThose in recent contact with anyone who has tested positive for COVID-19 within the past two weeks are asked to visit at a later date.\nChildren must be supervised by an adult.\n\nIf you have any questions\, please email info@wendemuseum.org or call (310) 216-1600. \n\nCURRENT EXHIBITIONS\nThe Medium is the Message: Flags and Banners\n \nOriginally used to identify soldiers in battle and ships in international waters\, flags have represented large geographic territories since the rise of the nation-state beginning in the late eighteenth century. Like monuments and national anthems\, they intend to create a sense of identity-based on a shared past\, present\, and future. \nLike many other governments\, the communist countries of the twentieth century produced an abundance of flags and banners. They were omnipresent at military parades\, sports events\, and public gatherings. Apart from national flags\, many organizations produced their own richly decorated flags and banners. The Wende Museum holds over 2\,000 of these ornamental textiles in its collection. \nMartin Roemers: Relics of the Cold War\n \nDuring an eleven-year period\, from 1998 through 2009\, Dutch photographer Martin Roemers photographed the structural and topographic remnants of the Cold War in both the East and West. His research took him to Russia\, Poland\, Czech Republic\, Ukraine\, Latvia\, Lithuania\, Great Britain\, Netherlands\, Belgium\, and Germany\, where he documented underground tunnels\, abandoned army bases\, military training areas\, rotting tanks\, and destroyed monuments. \nLight–guard–house: Installation by Farrah Karapetian\n \nThe 20-square-foot aluminum guardhouse that sat outside the ADN headquarters in East Berlin from 1971–92 is both an artifact of an atmosphere of mistrust and representative of past and current political protectionism. Artist Farrah Karapetian will turn this structure into a lighthouse\, changing a gesture of suspicion into a gesture of welcome. The windows of the guardhouse will be tinted in a rainbow gradient encompassing all of the colors potentially included in national flags. Over the course of Wende’s concurrent exhibition\, The Medium is the Message: Flags and Banners\, Karapetian will engage with the public about experiences they have had as migrants. As the stories accumulate and become available on the museum’s website\, the light inside the lighthouse will pause at the various colors associated with the flags of the respective national borders crossed. Rather than the finality of immigration\, the artist’s focus is the prevalence of migration\, asking visitors: What experiences of welcome or mistrust have occurred as you have moved internationally? How have they colored your life in their wake? \n\n \n10808 Culver Blvd.\, Culver City\, CA 90230 \n \nThe Wende is an art museum\, historical archive of the Cold War\, and center for creative community engagement that explores and inspires change.  \nThe Wende reaches beyond the conventional walls of a museum and places equal value on an international scholarship\, community engagement\, digital access\, and wide-ranging experimentation. \nWende is a German word meaning “turning point” or “change” that has come to describe the transformative period around the fall of the Berlin Wall. Founded in 2002\, the Wende Museum holds an unparalleled collection of art and artifacts from the Cold War era\, which serves as a foundation for programs that illuminate political and cultural changes of the past\, offer opportunities to make sense of a  changing present\, and inspire active participation in personal and social change for a better future. \nThe Wende fulfills its mission of exploring and inspiring change through \n\ncollecting\, preserving\, and providing open access to artwork\, artifacts\, archives\, films\, and personal histories from the sphere touched by socialism during the Cold War era (1945– 1991);\npromoting rigorous scholarship\, educating students\, and stimulating general interest through lectures\, symposia\, publications\, and providing access to digitized collections;\npresenting experimental exhibitions and interdisciplinary programming inspired by the collection;\nfacilitating creative collaborations with contemporary artists and designers;\npartnering with other nonprofit organizations; and\nproviding community services such as wellness programs\, opportunities for civic engagement\, and family-friendly activities.\n\nCore Strengths\n\n\nThe Wende Museum’s collection and intellectual activities have achieved notable strength in four areas of specialization: German Democratic Republic; Wende Moments; Personal Histories and Everyday Life; and Public and Private Interaction. \n\nHours\nMonday – Thursday: Closed\nFriday – Sunday: 10:00am – 5:00pm \n\n\n  \nFor additional information\, visit the website @ \nwww.wendemuseum.org\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/wende-museum-2/2022-07-23/
LOCATION:Wende Museum\, 10808 Culver Blvd\, Culver City\, 90230
CATEGORIES:-Culver City,Fun 4 Kids,Fun 4 Seniors,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220723T100000
DTEND;TZID=America/Los_Angeles:20220723T180000
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SUMMARY:THIS IS NOT AMERICA'S FLAG
DESCRIPTION:SPECIAL EXHIBITION AT THE BROAD: MAY 21 – SEPTEMBER 25\, 2022\nFeaturing over twenty artists\, the special exhibition This Is Not America’s Flag spotlights the myriad ways artists explore the symbol of the flag of the United States of America\, underscoring its vast\, divergent\, and complex meanings. \nTitled after Alfredo Jaar’s iconic 1987 work\, A Logo for America\, This Is Not America’s Flag provides a critical discourse on the symbol’s meaning\, the complexity and contradictions of contemporary national identity\, and artists as active citizens. \nThe exhibition was developed conceptually in the summer of 2020 during the groundswell of activism for racial justice in the wake of the murders of George Floyd\, Ahmaud Arbery\, and Breonna Taylor and was inspired by two works in the Broad collection\, Flag (1967) by Jasper Johns and African-American Flag (1990) by David Hammons. \nThis Is Not America’s Flag presents works from over twenty artists including Laura Aguilar\, Nicole Eisenman\, Jeffrey Gibson\, Jaar\, and Johns\, as well as African-American Flag (1990) by Hammons acquired by The Broad in 2019 and America (2021) by Hank Willis Thomas\, acquired last year. The exhibition includes works that both embrace the flag as the signifier of the nation and its ideals and subvert it to express injustices and inequities woven into the fabric of the U.S.\, past\, and present. \n\nHighlighted Artwork\nAmerica\nHank Willis Thomas\n2021\nMixed media including US flags\n \n  \nAfrican-American Flag\n\nDavid Hammons\n\n\n1990\n\n\ndyed cotton\n\n\n59 x 92 1/4 in. (149.86 x 234.315 cm)\n\n \n  \nThree Eagles Flying\nLaura Aguilar\n1990\nGelatin silver print\n \n\nABOUT THE BROAD\nThe Broad is a contemporary art museum on Grand Avenue in Downtown Los Angeles. The museum is named for philanthropists Eli and Edythe Broad\, who financed the $140 million building that houses the Broad art collections. It offers free general admission to its permanent collection galleries. \n\nFree Access\nTimes and days for free access to these exhibitions will be announced. \nSame-Day Tickets\nInstead of offering a standby line for walk-up entry\, additional tickets will be released daily every evening for admission the next day. \nMuseum Policies\n\nMasks are strongly recommended indoors.\nOur coat and bag check is currently closed. Large bags are not allowed indoors.\n\nAccessibility\nThe Broad is committed to making its collection\, building\, programs\, and services accessible to all visitors. See our access resources and email info@thebroad.org for questions or assistance about accessibility. \n\nHours\nMonday – Tuesday: Closed\nWednesday – Friday: 11:00am – 5:00pm\nSaturday- Sunday: 10:00am – 6:00pm \n\nFor additional information\, visit the website @ \nwww.thebroad.org/art/special-exhibitions/not-americas-flag\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/this-is-not-americas-flag/2022-07-23/
LOCATION:The Broad\, 221 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:Arts & Crafts,Education,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums,Spaces & Places
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DTSTART;TZID=America/Los_Angeles:20220723T170000
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SUMMARY:HAUSER AND WIRTH GALLERY
DESCRIPTION:FREE TUESDAY TO SUNDAY – Los Angeles\nOccupying a former flour mill\, Hauser & Wirth Los Angeles presents art exhibitions\, events\, and learning activities that connect with the local community in a vibrant architectural space. \nExhibitions are free to attend. No advance booking is necessary. \nOur gallery and garden will be open six days a week. \nGALLERY: TUESDAY TO SUNDAY\, 10:00 am – 6:00 pm \nVISITOR GUIDE\n\nDo not touch or climb on the artwork.\nChildren under 12 should be accompanied by an adult at all times.\nDogs on leashes are welcome on site. Dogs are not permitted inside the galleries unless they are service dogs. Please proceed to the Front Desk in South Gallery or the Information Desk in the Courtyard to check in your service dog.\n\n\n \n901 East 3rd Street\, Los Angeles CA\, 90013 \n  \nHauser & Wirth was founded in 1992 in Zurich by Iwan Wirth\, Manuela Wirth\, and Ursula Hauser\, who was joined in 2000 by Partner and President Marc Payot and CEO Ewan Venters in 2020. A family business with a global outlook\, Hauser & Wirth has expanded over the past 30 years to include outposts in Hong Kong\, London\, New York\, Southampton\, Los Angeles\, Somerset\, Menorca\, Monaco\, Zurich\, Gstaad\, and St. Moritz. The gallery represents over 90 artists and estates who have been instrumental in shaping its identity\, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art\, education\, conservation\, and sustainability. \nMANUELA RESTAURANT\n \nSituated at the center of Hauser & Wirth Los Angeles\, Manuela unites chefs\, farmers\, and artists to create an authentic and original dining experience. Under the direction of Executive Chef Kris Tominaga\, the menu celebrates seasonal ingredients sourced from the best farms and producers in Southern California. \nNamed for Manuela Wirth\, the restaurant is illuminated and animated by specially commissioned works from artists Paul McCarthy\, Mark Bradford\, and Raymond Pettibon. \nThe restaurant is available for private hire\, as is the Private Dining Room\, an intimate space that hosts up to 12 guests. \nTuesday – Friday 11.30 am – 2.30 pm\, 5.30 – 10 pm\nSunday-Saturday 10 am – 2.30 pm\, 5.30 – 9 pm \nGARDEN\n \nThe garden\, a certified Wildlife Habitat recognized by the National Wildlife Federation\, is an oasis within the burgeoning Downtown Los Angeles Arts District. Featuring a chicken coop and beds of herbs and vegetables\, which support the onsite restaurant\, Manuela – this space aims to integrate community with urban food production and sustainability. The serene and contemplative environment is surrounded by an abundance of street art murals\, which have been kept in their original locations\, creating a juxtaposition of the site’s local history with its new life. The open-air courtyard and garden won the 2019 Landscape Architecture category of the 49th Los Angeles Architectural Awards. \nSHOPS\n \nARTBOOK \nARTBOOK @ Hauser & Wirth Bookstore is a contemporary art and culture bookstore that highlights topical issues throughout the year by presenting a rotating thematic inventory of titles. ARTBOOK carries an extensive selection of magazines on a wide variety of subjects\, as well as a large selection of children’s books\, critical texts\, and performance titles. The bookstore also features a comprehensive collection of Hauser & Wirth artists’ titles and exhibition catalogs. \nGALLERY SHOP \nThe Hauser & Wirth Los Angeles Gallery Shop offers a selection of Hauser & Wirth Publishers titles from the gallery’s quarter-century history of exhibitions\, unique Hauser & Wirth artist collaborations\, and products from non-profit organizations such as Piece by Piece\, MADE by DWC\, and Rio Terà dei Pensieri. \n\n\n\nFor additional information\, visit the website @ \nhttps://www.hauserwirth.com\n \n  \n\n\nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/hauser-wirth-3-8-2/
LOCATION:Hauser & Wirth\, 901 East 3rd Street\, Los Angeles\, CA\, 90013\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220723T180000
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SUMMARY:The Getty Summer Concerts Series- OFF THE 405
DESCRIPTION:SELECT SATURDAYS THIS SUMMER- The Getty Center\nThe Getty Center presents OFF THE 405\, the Getty Center’s annual outdoor summer concert series\, bringing some of today’s most exciting bands to the stage for a memorable experience amid stunning architecture and breathtaking sunset views.\n\n  \n\nHand Habits\nDate: Saturday\, July 23\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required. Tickets available July 9\, 2022\n\nHand Habits is the songwriting outlet of guitarist Meg Duffy. Their recent album\, Fun House\, wasn’t intended as a reaction to the pandemic but was the result of taking a difficult\, if much-needed\, moment of pause. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff)\, its eleven tracks sparkle and surprise\, representing the turning of a corner\, a means of processing hardship and stepping into one’s own power. Meg has also toured as a guitarist with Sylvan Esso and recorded on albums for War on Drugs\, Weyes Blood\, William Tyler\, Fruit Bats\, and others\, and in 2020\, Meg joined Perfume Genius as a touring guitarist. \nRead more: “Inside Hand Habits’ Fun House\,” Fader Magazine. \nWatch: Hand Habits – “Aquamarine” \n\n\nOther Performances Include:\n\nStanding on the Corner\nDate: Saturday\, August 27\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required. Tickets available 13\, 2022. \n\nThe New York collective Standing on the Corner often calls itself an “art ensemble\,” a moniker which helps outline its approach to music and performance\, while hinting at its creative roots and perspective. With composer\, conductor and co-founder Gio Escobar at the center of a constantly rotating band line-up that’s seldom the same for consecutive performances\, each of which might feature a radically different concept and repertoire\, SOTC moves freely yet decisively between jazz improvisations\, dub excursions\, garage-noise freak-outs and lo-fi hip-hop collage\, giving prescience to Hua Hsu’s observation that its music sounds like “field recordings from a vanishing city.” SOTC’s work is deeply wedded to this sense of place. Since they began operating in 2014\, its members\, predominantly Black and Caribbean with Escobar emphasizing his Nuyorican heritage\, have become key representatives of New York’s new inter-borough musical avant-garde\, part of a young creative Blackness vanguard. Just as the collective’s sound is in constant\, determined flux\, so are the mediums through which it’s presented: SOTC’s four albums-cum-mixtapes\, a couple of singles\, and occasional short-run films/video installations\, are as central to the group’s legend as its concerts and happenings\, which can take place in a club or DIY space\, at a museum or an art-house theater\, each carrying its own specificity of liberative intent. The constant in the group’s vision is a cultivation of changing aesthetics using the mindfulness of hip-hop natives\, making historical reappraisals through contemporary lenses\, and filtering both via the dignity of local community values. The reason Standing on the Corner has developed a seemingly wide cast of admirers—from underground jazz experimentalists and popular musicians\, to gallerists and curators—is the group’s clear illustration of these connections as a constant ingredient in the continuum of African Diasporic music. And a renewal of the idea that the “art ensemble” is the best way to get these ideas over. “Que Viva Puerto Rico Libre!” \nThis special iteration of the Off the 405 concert series celebrates Working Together: The Photographers of the Kamoinge Workshop\, an exhibition that chronicles the dynamic creative exchange between a collective of photographers that began operating in 1960’s New York City\, who fused the energy of jazz and improvisation into their stylistically untethered approach to representing the African American experience. \nRead more about Standing on the Corner: “Meet Standing on the Corner\, the Post-Genre Crew Whose Music Speaks a Secret Language\,” Pitchfork. \n\nHours\nMonday: Closed\nTuesday – Saturday: 10:00am – 5:00pm\nSunday: 11:00am – 5:00pm \n\n\n  \nFor additional information\, visit the website @ \ngetty.edu/museum/programs/performances/offthe405.html\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/the-getty-off-the-405-hand-habits/
LOCATION:The Getty Center\, 1200 Getty Center Drive\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:Concerts & Music,Fun 4 Couples,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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