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SUMMARY:California African American Museum (CAAM) Temporarily Closed For Repair
DESCRIPTION:California African American Museum (CAAM) Temporarily Closed For Repair\nFREE! TUES – SUNDAY- Exposition Park\nThe California African American Museum (CAAM) focuses on enrichment and education on the cultural heritage and history of African Americans with a focus on California and western United States. \nAdmission is free to all visitors. The California African American Museum’s mission is to research\, collect\, preserve\, and interpret for public enrichment the history\, art\, and culture of African Americans with an emphasis on California and the western United States. \n \nCalifornia African American Museum (CAAM) Temporarily Closed For Repair\n  \nCAAM’s permanent collection consists of over 4\,000 objects ranging from the 1800s to the present. It encompasses paintings\, photographs\, film\, sculpture\, historical documents\, and artifacts\, and it spans nineteenth-century landscape paintings to modern artworks to contemporary mixed-media reflections on cultural and political events. \n \n  \nThe Museum’s first acquisitions included a bronze bust of civil rights activist Dr. Mary Mcleod Bethune by artist Richmond Barthé and a sculpture by artist Maren Hassinger\, then at the start of her career. These laid the perfect groundwork for CAAM’s mandate to assemble a comprehensive\, thoughtful\, and wide-reaching collection. \n \n  \nCAAM’s deepest holdings include art made or connected to African Americans in California and the western United States. However\, the Museum also has significant works of contemporary art from the African diaspora (including Haiti\, Brazil\, and Jamaica)\, as well as traditional African art from Western\, Central\, and Sub-Saharan Africa. CAAM aims to represent the diverse contributions of African Americans in the United States\, but also to interpret how the past has affected identity in the present. \nCalifornia African American Museum (CAAM) Temporarily Closed For Repair\nToday\, CAAM oversees\, exhibits\, and conserves a rapidly growing collection. Each quarter\, curators review the current holdings and decide as a committee on future acquisitions. We view our collection as a living body — constantly evolving\, growing\, and reflecting the world in which we live. \n \n  \nSome examples of CAAM’s collection include the Walter Burrell Collection of audio recordings of Burrell’s interviews with African American celebrities\, broadcast by a local radio station in the early 1970s; the oral histories of Celes King\, who was both a local civil rights activist as well as a former Tuskegee airman; and selections from the collection of visual artist John Outterbridge. \n  \n \nHours\nTuesdays – Saturdays: 10:00 a.m.-5:00 p.m.\nSundays: 11:00 a.m.-5:00p.m.\nMondays: Closed \nCalifornia African American Museum (CAAM) Temporarily Closed For Repair\n\n  \nFor additional information\, visit the website @ \ncaamuseum.org\n \n  \nFind more \n \n \n \n \n \n \n  \n 
URL:https://www.free2funla.com/event/caam-2-5/2022-07-20/
LOCATION:California African American Museum\, 600 State Drive\, Los Angeles\, CA\, 90037\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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SUMMARY:FIRE! SCIENCE & SAFETY
DESCRIPTION:OPEN DAILY- California Science Center\nThe Fire! Science & Safety exhibition invites you to explore Casa Del Fuego\, Apartment 911 as a fire danger detective\, seeking out fire and burn hazards so you can help make families\, pets and homes safer. Hands-on interactives give you a chance to explore the science of fire—safely—by creating “fire” out of different ingredients in our firepit\, practice fire-fighting skills with a fire extinguisher\, and figure out which appliances might blow a circuit if you use them together. \n\n\n\n\n\n\nExplore below to discover some of the experiences you can have in this totally hot permanent exhibition. Admission is free! \nEXHIBITS\n \n\n\n\n\n\n\n\n\n\nFire Triangle Firepit\nExperiment with fire—safely—to learn the science behind it. Discover which fuels and heat sources combine to make fire\, and then learn how to put different types of fires out. \n\n\n\n\n\n\n\n\n\n \nElectrical safety\n\n\n\n\n\nFind out how to use electricity safely in exhibits like this circuit game\, which invites you to discover how much you can plug in before blowing a circuit! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFire Escape Planning\nLearn how to escape a home safely in case of fire\, and get inspired to create an escape plan for your own family. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKitchen safety\nExplore an interactive kitchen\, where you can uncover tips for cooking safely with your stove\, microwave and oven. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBurn prevention\nSkip the scalds by learning how to prevent burns from hot water in the kitchen and bathroom. \n  \n\n\n\n\n\n\n\n\n \nExtinguish A Fire\n\n\n\n\n\nPractice putting out a fire so you’ll be ready in an emergency! When using an extinguisher\, don’t forget to PASS! Pull the pin. Aim at the base of the fire. Squeeze the handle. Sweep the spray back and forth. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWildfire Preparedness\nWildfires are becoming more frequent—and more intense—in California. Find out why—and prepare your home and family in case one ignites near you. \n\n\n\n\n\n\n\n\n\n\n\nScience Live!\nOur Educators will be conducting live demos and guided exhibit explorations in the Fire! Science & Safety exhibition. Learn how to create a fire escape plan while experiencing exciting smoke\, video and lighting effects designed to suggest a real fire. Also\, participate in fire danger scavenger hunts throughout the exhibition. \n\n\n\n\n\n\n\n\n\n\nExciting effects in a fire escape plan demonstration help guests learn about fire safety. This exhibition was developed in partnership with the Children’s Burn Foundation. Children’s Burn Foundation is the only organization that heals child burn survivors and their families through comprehensive physical\, financial and emotional care\, while educating communities in California and across the globe on how to prevent and treat burns. \n\n\n\n\n\n\n\n\n\n\n\n\n\nHours\nOpen Daily: 10:00am – 5:00pm \n\nFor additional information\, visit the website @ \nhttps://californiasciencecenter.org/exhibits/fire-science-safety\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/fire-science-safety/2022-07-20/
LOCATION:California Science Center\, 700 Exposition Park Drive\, Los Angeles\, CA\, 90037\, United States
CATEGORIES:-DTLA,Fun 4 Kids,Fun 4 Teens,Fun 4 the Family,Museums
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SUMMARY:The Broad Museum
DESCRIPTION:FREE TUE – SUN- Bunker Hill\, DTLA\n\n\n\n\nThe Broad Museum presents An in-depth installation of Andy Warhol\, opening May 26\, 2021\, features 26 works (11 on view for the first time at The Broad)\, including Mao (1973)\, 40 Gold Marilyns (1980)\, and a major new acquisition\, Liz [Early Colored Liz] (1963). \nLiz [Early Colored Liz] is a celebrated work featuring a silkscreened image of Elizabeth Taylor\, who represented both celebrity and beauty as well as tragedy for the artist. \nAn outcome of sustained and ongoing engagement with artists and artwork\, the Broad collection is distinctive in its exceptional dedication to the full arc of artists’ careers. The Broad has highlighted this depth through expansive presentations in the third floor galleries\, featuring Jean-Michel Basquiat\, Roy Lichtenstein\, Kara Walker\, Andy Warhol\, and Christopher Wool\, along with works by many others. \n\n\n\n\n\n\n\n\n\n\n\n\nHighlighted Artwork\n\n\n\n\n\n\n\n\n40 Gold Marilyns\n\nAndy Warhol\n\n\n1980\n\n\nsilkscreen ink and synthetic polymer paint on canvas\n\n\n80 x 111 in. (203.2 x 281.94 cm)\n\n\n\n\n\n\nMao\n\nAndy Warhol\n\n\n1973\n\n\nacrylic\, clear acrylic medium\, and silkscreen ink on linen\n\n\n26 x 22 in. (66.04 x 55.88 cm)\n\n\n\n\n\n\nThe Kiss (Bela Lugosi)\n\nAndy Warhol\n\n\n1963\n\n\nscreenprint on paper\n\n\n30 x 40 in. (76.2 x 101.6 cm)\n\n\n\n\n\n\nCampbell’s Soup Can (Clam Chowder – Manhattan Style) [Ferus Type]\n\nAndy Warhol\n\n\n1962\n\n\ncasein and pencil on linen\n\n\n20 x 16 in. (50.8 x 40.6 cm)\n\n\n\n\n\n\n\n\n\n\n\n\n\n221 S. Grand Avenue\, Los Angeles\, CA 90012\nThe Broad makes its collection of contemporary art from the 1950s to the present accessible to the widest possible audience by presenting exhibitions and operating a lending program to art museums and galleries worldwide. \nBy actively building a dynamic collection that features in-depth representations of influential contemporary artists and by advancing education and engagement through exhibitions and diverse public programming\, the museum enriches\, provokes\, inspires\, and fosters appreciation of art of our time. \n \nThe Broad was founded by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles. Designed by Diller Scofidio + Renfro in collaboration with Gensler\, the museum offers free general admission and presents an active program of rotating temporary exhibitions and innovative audience engagement. The Broad is home to 2\,000 works of art in the Broad collection\, which is one of the world’s leading collections of postwar and contemporary art. \n  \n \nThe Broad from Home\nThe Broad is committed to inspiring and fostering an appreciation of contemporary art through our digital initiatives. Experience #TheBroadFromHome to find inspiration through music\, poetry\, performance\, workshops\, and conversations centered around the Broad collection. \nOverview \nPerformances \nTalks & Conversations \nArtist Spotlight \nFamily Art Workshops \nMore Online Programs \n  \nThe Broad Collection\nEli and Edythe Broad have been building their collection of postwar and contemporary art over the last 50 years. With a belief that the greatest art collections are built when the art is being made\, the Broads took to collecting art of their own time. \nThe Broad is home to 2\,000 works in the Broad collection by more than 200 artists\, and is one of the world’s leading collections of postwar and contemporary art. The collection features in-depth holdings of influential contemporary artists such as Jean-Michel Basquiat\, Mark Bradford\, Jasper Johns\, Jeff Koons\, Barbara Kruger\, Yayoi Kusama\, Kerry James Marshall\, Julie Mehretu\, Takashi Murakami\, Robert Rauschenberg\, Ed Ruscha\, Cindy Sherman\, Cy Twombly\, Andy Warhol\, and more\, plus an ever-growing representation of younger artists. \n  \nView Our Collection Here\n \nIn Under the Table\, 1994\, the viewer is both in the world of imaginary giants and in the world of remembered childhood. Fusing Alice in Wonderland with the Duchampian tradition of the readymade\, Artist Robert Therrien constructs a doppelganger from an everyday object\, both displaying his visual wit and actualizing literary or imaginative fantasy in three-dimensional space. The table exudes an extraordinary aura\, compelling one to walk underneath the table and conjuring the physical memory of being under the table of one’s childhood home. Complicated and powerful\, the work offers fresh ideas of what a table\, sculpture\, and memory can mean. \n  \n  \n \nUsing the recognizable form of a balloon twisted into the shape of a dog\, Koons has frozen a moment in time\, exaggerating both scale and material. \nBalloon Dog (Blue) is literal and abstract. When standing close to it\, one’s own distorted reflection bends around smooth pert curves. \n  \n\n\n\n\n\nGeneral Admission is Free\nAll visitors must reserve timed tickets in advance. Some exhibitions and events carry a separate charge. \n\n\n\n\n\nHours\nMonday: Closed\nTuesday – Wednesday: 11:00 a.m.-5:00 p.m.\nThursday – Friday: 11:00 a.m.-8:00 p.m.\nSaturday: 10:00 a.m.-8:00p.m.\nSunday: 10:00 a.m.-6:00p.m. \n\n\n  \nFor additional information\, visit the website @ \nwww.thebroad.org\n \n  \nFind more
URL:https://www.free2funla.com/event/the-broad-andy-warhol/2022-07-20/
LOCATION:The Broad\, 221 South Grand Ave\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220720T120000
DTEND;TZID=America/Los_Angeles:20220720T170000
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SUMMARY:FOWLER MUSEUM AT UCLA- TEMPLATE
DESCRIPTION:NOW THRU NOVEMBER 13TH- Westwood Village\, UCLA\nThe Fowler Museum at UCLA presents \n\n\nParticular Histories: Provenance Research in African Arts\n\n\n\n\nJuly 10–November 13\, 2022 \n\n\n\n\nProvenance research (an investigation of an artwork’s past ownerships) traces the movement of a given object through different cultural\, economic\, and political contexts. Particular Histories presents five provenance case studies drawn from African material dating to the early 20th century that came to the Fowler Museum from the collection of Sir Henry Wellcome (1853–1936). The exhibition highlights recent findings—made through a combination of conservation\, material science\, archival research\, and curatorial methods—that shed light on shifting perceptions of the objects’ value over time and offer some surprising revelations: from fictions concocted to assert certain works’ “authenticity” to new understanding of how some artists developed innovative designs tailored to local and foreign buyers. \nThis exhibition emerges from a three-year project\, funded by the Mellon Foundation\, which aims to unravel the histories of African works at the Fowler and begin reckoning with the legacy of European colonization and its influence on the objects’ use and perception. Multidisciplinary provenance research also lays the groundwork for building connections with communities of origin. \n\n\n\n\nParticular Histories: Provenance Research in African Arts is organized by the Fowler Museum at UCLA and curated by Carlee S. Forbes\, Mellon Curatorial Fellow. Fowler team members also engaged in this project include: Erica P. Jones\, Marci J. Burton\, Kate Anderson\, Rachel Raynor\, Gassia Armenian\, Isabella Kelly-Ramirez\, Jeanette Saunders\, Christian de Brer\, and Matthew H. Robb. For more on the Fowler’s Mellon African Art Initiative\, please visit our online research page. \nImage caption: Unidentified artist (Dahomey\, Republic of Benin)\, figure group\, before 1931; brass\, wood; Fowler Museum at UCLA\, X65.5793; Gift of the Wellcome Trust \n\n\n \n  \n\n\n308 Charles E. Young Dr N\, Los Angeles\, CA 90024 \n\nFREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture and social action. \nFowler Museum at UCLA provides exciting\, informative and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns\, and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, notably arts of Haitian Vodou\, Brazil and Suriname. \n\n\n\n\n\n\nARTS OF THE AMERICAS\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Peubla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\n\n\n\nARTS OF ASIA AND THE PACIFIC \n \n  \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\n\n\n\nARCHAEOLOGICAL COLLECTIONS\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandates by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah excavated in the 1950’s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\n\n\n\nAdmission is FREE \nMonday: closed\nTuesday: closed\nWednesday: 12 – 8pm\nThursday: 12 – 5pm\nFriday: 12 – 5pm\nSaturday: 12 – 5pm\nSunday: 12 – 5pm \n\n\n\n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-2-2022-01-19-2022-07-16/2022-07-20/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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DTSTART;TZID=America/Los_Angeles:20220720T120000
DTEND;TZID=America/Los_Angeles:20220720T170000
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SUMMARY:FOWLER MUSEUM AT UCLA
DESCRIPTION:FREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past and present. The Fowler enhances understanding and appreciation of the diverse peoples\, cultures\, and religions of the world through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture and social action. \nFowler Museum at UCLA provides exciting\, informative and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns\, and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, notably arts of Haitian Vodou\, Brazil and Suriname. \n\n\n\n\n\n\nARTS OF THE AMERICAS\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Peubla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\n\n\n\nARTS OF ASIA AND THE PACIFIC \n \n  \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\n\n\n\nARCHAEOLOGICAL COLLECTIONS\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandates by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah excavated in the 1950’s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\n\n\n\nAdmission is FREE \nMonday: closed\nTuesday: closed\nWednesday: 12 – 8pm\nThursday: 12 – 5pm\nFriday: 12 – 5pm\nSaturday: 12 – 5pm\nSunday: 12 – 5pm \n\n\n\n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more
URL:https://www.free2funla.com/event/fowler-museum-at-ucla-2-2022-02-02/2022-07-20/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:Arts & Crafts,Fun 4 Couples,Fun 4 Kids,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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