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SUMMARY:The Getty Summer Concerts Series- OFF THE 405
DESCRIPTION:SELECT SATURDAYS THIS SUMMER- The Getty Center\nThe Getty Center presents OFF THE 405\, the Getty Center’s annual outdoor summer concert series\, bringing some of today’s most exciting bands to the stage for a memorable experience amid stunning architecture and breathtaking sunset views.\n\n\n\nBartees Strange\nDate: Saturday\, June 18\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required.\n \nBorn in Ipswich\, England to a military father and opera-singer mother\, Bartees Leon Cox Jr. had a peripatetic early childhood before eventually settling in Mustang\, Oklahoma. Later\, Bartees cut his teeth playing in hardcore bands in Washington\, DC and Brooklyn while working for the Barack Obama administration and eventually\, the environmental movement. In his music\, Bartees seamlessly weaves together hip-hop\, R&B\, and garage rock\, for a sound Brooklyn Vegan called “strikingly original.” He released two records in quick succession: an EP reimagining songs by The National (Say Goodbye To Pretty Boy\, 2020) and his debut album proper\, Live Forever (2020)\, and has shared the stage with Phoebe Bridgers\, Mdou Moctar\, and more. \nRead more: “Bartees Strange Undoubts Himself\,” The New York Times Magazine. \nOther Performances Include:\n\nLos Retros\nDate: Saturday\, July 9\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required. Tickets available June 25\, 2022. \n\nLos Retros is a bedroom pop band helmed by Mauri Tapia\, a multi-instrumentalist from Oxnard\, CA. Making music since his early teens\, Mauri plays each instrument on his recordings and has grown a loyal fanbase via YouTube and Soundcloud\, as well as through local shows up and down the SoCal coast. Tracing his musical inspirations from both American and Latin American left-field pop and soft rock groups from the 1970s and 80s\, Los Retros pays homage to Chilean pop band Los Angeles Negros. Los Retros recently toured in support of Chicano Batman and has been hailed as one of “the most exciting new signees for influential Southern California label Stones Throw Records.” \nRead more: “Los Retros: Dreams of a Nostalgic Future\,” Remezcla. \nWatch: Los Retros – “Someone To Spend Time With” \n\n  \n\nHand Habits\nDate: Saturday\, July 23\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required. Tickets available July 9\, 2022 \n\nHand Habits is the songwriting outlet of guitarist Meg Duffy. Their recent album\, Fun House\, wasn’t intended as a reaction to the pandemic but was the result of taking a difficult\, if much-needed\, moment of pause. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff)\, its eleven tracks sparkle and surprise\, representing the turning of a corner\, a means of processing hardship and stepping into one’s own power. Meg has also toured as a guitarist with Sylvan Esso and recorded on albums for War on Drugs\, Weyes Blood\, William Tyler\, Fruit Bats\, and others\, and in 2020\, Meg joined Perfume Genius as a touring guitarist. \nRead more: “Inside Hand Habits’ Fun House\,” Fader Magazine. \nWatch: Hand Habits – “Aquamarine” \n\n  \n\nStanding on the Corner\nDate: Saturday\, August 27\, 2022\nTime: DJ set at 6 p.m.; Performance at 7:30 p.m.\nLocation: Museum Courtyard\nAdmission: Free\, tickets required. Tickets available 13\, 2022. \n\nThe New York collective Standing on the Corner often calls itself an “art ensemble\,” a moniker which helps outline its approach to music and performance\, while hinting at its creative roots and perspective. With composer\, conductor and co-founder Gio Escobar at the center of a constantly rotating band line-up that’s seldom the same for consecutive performances\, each of which might feature a radically different concept and repertoire\, SOTC moves freely yet decisively between jazz improvisations\, dub excursions\, garage-noise freak-outs and lo-fi hip-hop collage\, giving prescience to Hua Hsu’s observation that its music sounds like “field recordings from a vanishing city.” SOTC’s work is deeply wedded to this sense of place. Since they began operating in 2014\, its members\, predominantly Black and Caribbean with Escobar emphasizing his Nuyorican heritage\, have become key representatives of New York’s new inter-borough musical avant-garde\, part of a young creative Blackness vanguard. Just as the collective’s sound is in constant\, determined flux\, so are the mediums through which it’s presented: SOTC’s four albums-cum-mixtapes\, a couple of singles\, and occasional short-run films/video installations\, are as central to the group’s legend as its concerts and happenings\, which can take place in a club or DIY space\, at a museum or an art-house theater\, each carrying its own specificity of liberative intent. The constant in the group’s vision is a cultivation of changing aesthetics using the mindfulness of hip-hop natives\, making historical reappraisals through contemporary lenses\, and filtering both via the dignity of local community values. The reason Standing on the Corner has developed a seemingly wide cast of admirers—from underground jazz experimentalists and popular musicians\, to gallerists and curators—is the group’s clear illustration of these connections as a constant ingredient in the continuum of African Diasporic music. And a renewal of the idea that the “art ensemble” is the best way to get these ideas over. “Que Viva Puerto Rico Libre!” \nThis special iteration of the Off the 405 concert series celebrates Working Together: The Photographers of the Kamoinge Workshop\, an exhibition that chronicles the dynamic creative exchange between a collective of photographers that began operating in 1960’s New York City\, who fused the energy of jazz and improvisation into their stylistically untethered approach to representing the African American experience. \nRead more about Standing on the Corner: “Meet Standing on the Corner\, the Post-Genre Crew Whose Music Speaks a Secret Language\,” Pitchfork. \n\nHours\nMonday: Closed\nTuesday – Saturday: 10:00am – 5:00pm\nSunday: 11:00am – 5:00pm \n\n\n  \nFor additional information\, visit the website @ \ngetty.edu/museum/programs/performances/offthe405.html\n \n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/the-getty-off-the-405/
LOCATION:The Getty Center\, 1200 Getty Center Drive\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:Concerts & Music,Fun 4 Couples,Fun 4 Seniors,Fun 4 Singles,Fun 4 Teens,Fun 4 the Family,Museums
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