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SUMMARY:FOWLER MUSEUM @ UCLA: Tingatinga
DESCRIPTION:NOW ON EXHIBIT- Westwood Village\, UCLA\nUCLA Fowler Museum presents\n\n\n\n\n\n\n\nTingatinga\n\n\n\n\nSeptember 25\, 2022 – May 14\, 2023\n\n\n\n\nThis exhibition showcases a series of animal paintings made by members of the Tingatinga Arts Cooperative Society in the 1990s. The Tingatinga style began with Tanzanian painter Edward Saidi (E.S.) Tingatinga (b. Dar es Salaam\, 1939; d. 1972). His paintings are characterized by flat\, stylized animal depictions clearly outlined against a monochrome ground. Toward the end of his short life\, Tingatinga took on apprentices. A cohort of his former students continues to train students and keep alive his distinctive style. \nTingatinga is organized by the Fowler Museum at UCLA and curated by Erica P. Jones\, curator of African arts. \n\n\n\n\n\n\n308 Charles E. Young Dr N\, Los Angeles\, CA 90024 \n\nFREE EVERY DAY! @ UCLA\nThe Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa\, Asia\, the Pacific\, and the Americas—past\, and present. The Fowler enhances understanding and appreciation of the world’s diverse peoples\, cultures\, and religions through dynamic exhibitions\, publications\, and public programs\, informed by interdisciplinary approaches and the perspectives of the cultures represented. \nAlso featured is the work of international contemporary artists presented within the complex frameworks of politics\, culture\, and social action. \nFowler Museum at UCLA provides exciting\, informative\, and thought-provoking exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond. \n\n\n\n\n\n\nAreas of the Collection\n\n\n\n\nARTS OF AFRICA AND THE AFRICAN DIASPORA\n \nOne of the largest and finest in the United States\, and one of the top twenty African collections worldwide\, this collection offers a superb representation of the arts of many African nations\, including objects from Senegal\, Nigeria\, Ghana\, Cameroon\, the Democratic Republic of the Congo (formerly Zaire)\, Kenya\, Zambia\, and South Africa. The Yoruba collection alone is one of the three finest in the world. It contains a spectacular array of beaded objects\, including a majestic throne\, elaborate chiefly gowns and sophisticated divination regalia. \nA collection of post-apartheid election materials and contemporary South African art is being developed\, as are a number of collections of popular urban arts from countries including Tanzania and Muslim Senegal. Recently\, more than 400 textiles made by the Kuba peoples of the Democratic Republic of the Congo were gifted by the Christensen Foundation. \nThe collection represents some of the finest examples of men’s embroidered raffia pile cloths and women’s appliqué cloths. This collection complements already significant holdings of West African textiles from countries such as Mali and Ghana\, including kente and adinkra cloth and Asafo flags. The museum also has significant holdings of arts from the African Americas\, and notable arts from Haitian Vodou\, Brazil\, and Suriname. \n\n\n\nARTS OF THE AMERICAS\n\n\n \nThese holdings include a comprehensive collection of pre-Columbian ceramics with the best representations from West Mexico\, the Valley of Mexico\, and pre-Columbian Peru (with special strengths in the art of the Moche). The Fowler also possesses a cohesive collection of Guatemalan costumes; an extensive collection of Mexican clothing; textiles of Peru; and a comprehensive representation of field-collected market materials from Michoacan\, Mexico. Complementing the pre-Columbian collections are field collections of the Warao and Yecuana Indians of the Orinoco Delta of Venezuela and contemporary Latin American popular arts including Mexican trees of life\, Day of the Dead figures\, and masks from Metepec\, Oaxaca\, Michoacan\, Jalisco\, Puebla\, and Guanajuato. \nNative American materials from the U.S. and Canada are a small but significant part of the collection. Materials from the United States and Canada include well-known Northwest Coast material\, as well as a notable cross section of late nineteenth-century Inuit art and material culture. \n\n\n\nARTS OF ASIA AND THE PACIFIC\n\n\n \nThe Fowler Museum at UCLA collections from Insular Southeast Asia\, including Indonesia\, the Philippines\, Malaysia\, and aboriginal Taiwan\, are among the strongest in the United States. The Indonesian and Philippine textiles reinforce the Fowler Museum’s standing as a major repository for the textile arts. Also included are significant collections of sculptural material from Sumatra\, Borneo\, Sulawesi\, and Luzon\, puppetry from Java and Bali\, basketry from Indonesia and the Philippines\, and metalwork from the Philippines. The primary strength of the Pacific collections lies in materials from Papua New Guinea\, especially the Papuan Gulf\, Trobriand Islands\, Sepik River\, and Maprik region. Australia and Polynesia are also represented by sizeable collections\, including 45 rare Maori cloaks. \nThe collections from mainland Asia are smaller but growing rapidly\, due to current collecting priorities. A collection of betel-chewing paraphernalia\, representing several countries in South and Southeast Asia\, is considered one of the finest in the world. Other holdings include textiles from Bhutan\, Pakistan\, India\, and Japan\, baskets and decorative arts from Japan\, puppetry from China\, Thailand\, India\, and Turkey\, and art and artifacts from Nepal. \n\n\n\nARCHAEOLOGICAL COLLECTIONS\n\n\n \nThe Fowler Museum at UCLA also serves as a repository for archaeological collections acquired during research conducted by UCLA faculty\, staff\, students\, and other professional archaeologists. Documentation of the collections includes artifact catalogs\, excavation notes\, maps\, and photographs. These collections serve primarily as an archive for teaching and research. The Museum is compliant with guidelines mandated by the Native American Graves Protection and Repatriation Act (NAGPRA) and has been signaled out by the State of California for its exemplary efforts. \nArchaeological collection areas include: \nCalifornia \nCollections from approximately 1100 sites\, mostly in Southern California. \nSouthwest \nSignificant collections from the Rainbow Bridge-Monument Valley Expedition of 1933-1938 and several Parowan Fremont sites in Utah were excavated in the 1950s\, and other Anasazi and Hohokam sites. \nMexico \nIncludes objects from 218 sites\, mostly in western and central Mexico. \nSudan \nThe Nubian/Egyptian fortress site at Askut is the source of approximately 60\,000 artifacts excavated by UCLA archaeologist Alexander Badawy in conjunction with the Aswan High Dam Salvage Campaign\, 1962-1964. \nOld World stone tool collection \nIncludes tools from Europe and the Middle East. \n\n\nMUSEUM HOURS\n\nAdmission is FREE \nMonday – Tuesday: closed\nWednesday – Sunday: 12:00 pm – 5:00 pm \n\n\nFor additional information\, visit the website @ \nfowler.ucla.edu\n \n\n  \nFind more \n \n \n \n \n \n \n 
URL:https://www.free2funla.com/event/fowler-museum-ucla-tingatinga/
LOCATION:Fowler Museum at UCLA\, 308 Charles E Young Dr N\,\, Los Angeles\, CA\, 90024\, United States
CATEGORIES:-UCLA Westwood Village,Education,Fun 4 Kids,Fun 4 Teens,Fun 4 the Family,Museums
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